Image Object 影像物 許瑋恩個展 20211126-1226
影像物
偶爾睡得淺
很早的時候醒來
電器延長線的指示燈在微明的灰色中發出亮橘色的光
夢裡還是沒有趕上遊覽車
電影《變腦》中 人把自己兌換成了小人偶
留在電影明星的腦裡
是想要抵達什麼地方嗎
試著讓鼻頭更濕潤
看起來氣色更好
想要成為不是自己
在網路世界中瞎晃
像是一個可以誰也不是的觀光客
懸浮在影像資訊的流逝當中
而搜尋的足跡又回到自己的腳下
不禁好奇,眼前事物為何來到眼前
而它們只是老老實實地待在那裡
Image Object
Occasional light sleep
Waking up very early
The lights on the electrical extensions glowed bright orange in the shimmering grey
In my dream
I didn't make it to catch the tour bus
In the film Being John Malkovich
The man transforms himself into a small doll
Left in the movie star's head
Are you trying to get somewhere?
Try to make your nose wetter
Look better
Trying to be someone else
Wandering around the Internet world
Like a tourist who "can be no one"
Suspended in the flow of images and lots of information
Searching for footprints and returning to my own feet
I can't help but wonder how things come to be in front of me
However they just stay here firmly
許瑋恩 HSU, Wei-en
1993年生,現生活與工作於台南。
經常透過重新編輯既有的影像及提供敘事,展現個人記憶與集體記憶之間的關係糾纏。 —— 個人身份、人據以稱為人的主體性,在當代生活裡與被製造出來的影像於互動過程中變動,皆使主體意識在敘事與影像邊界中滲漏、滑移與釋懷,呈現一種心理圖像。
Born in 1993 in Kaohsiung, Taiwan. Lives and works in Tainan.
Her creative works often take the approach of revising existing images and providing narratives to illustrate the entangled relationship between personal memories and collective memory. “Personal identity” and the “subjectivity” that grounds humans to their identity undergo changes in modern-day life and the process of interacting with created images. At the boundaries of narrative and images, “subject consciousness” begins to ooze, slither, and release itself, projecting a psychological representation.
個展|2013 《把知道的事當作不知道的事說出來》,南北畫廊,台北
影展|2019 《太平洋海盜》,關渡美術館,台北
聯展|2019 《太平洋海盜》,關渡美術館,台北
2017 《而言他》,加力畫廊,台南
2017 《Bug程序錯誤》,兜空間,台南......等
【防疫措施】
1. 入場請戴口罩(飲食時請暫時將口罩收好);
2. 掃描空間代碼QRCODE,防疫追蹤;
3. 量額溫,發燒37.6度以上請在家好好休息,將謝絕參觀請見諒;
4. 噴酒精。謝謝耐心配合:)
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「作品細膩多元,思緒立體,嘗試性高。」
「《Search》的概念行進非常有意思,
揭示的路徑>選擇>私人性和公眾性的探索是有主動性的。」
——《擴散》跨領域徵件計畫獲選展
主辦單位 |孖空間 Zi space、324版畫工作房、十方藝術空間Galerie OVO、慢慢生活美術工作坊
外部評審 |張晴文、沈可尚
展覽補助 |國藝會