無形介面 (Interfaces of the Invisible)——台墨交流計畫

無形介面 (Interfaces of the Invisible)——台墨交流計畫

《無形介面 Interfaces de lo Invisible》
・日期｜2022.11.26-2023.02.26
・地點｜克雷塔羅市博物館（Museo de la Ciudad de Querétaro）

計畫介紹

本計畫是融聲創意團隊與墨西哥跨域實驗室 dériveLAB 與創意空間 BEMA 合作的跨域創作項目，由台灣藝術家紀柏豪及墨西哥藝術家Chucho Ocampo合作發展作品。此計畫延續了2021年由台灣文化部拉美交流補助支持的《塑膠湯》計畫，關注於環境感知及身體經驗。團隊在墨西哥各地走訪並開發裝置原型，並配合展覽舉辦了以「漫步」為主題的工作坊，分別將地質探測儀及自製風弦琴帶至克雷塔羅市區街道與參與者們一同行走，並記錄周遭環境狀態，再經由頻譜分析、聲音化等方式轉譯為感官體驗。

我們傾聽、思考環境的無形層面，將艱澀的數據科學、環境感測做另類轉譯，促使大眾對環境尺度產生新的理解。今日諸多既有技術、文學甚至電視劇集等媒體，正試圖向人群解釋這些現象。它被稱為人類世、資本世、氣候變化、全球變暖、第三次滅絕等，但人們對於這些緊急的驟變，儘管看到了圖表、報告、新聞，或者儘管親身經歷過，尚需更多反思或著採取相應行動。

我們希望透過作品與觀眾的互動、感知，以縮減訊息規模和訊息接收者之間的間距。而造成這種差距的原因，包含資訊轉換的不可估量性，或著技術與數據的可視化程度。因此，《無形介面 Interfaces de lo Invisible》計畫試圖通過當代藝術方法論和新興技術，重新理解、認識這種氣候緊急情況。

本計畫亦與墨西哥自治大學地球科學中心實驗室（Geoscience Center, Universidad Autonoma de Mexico）合作，以克雷塔羅市博物館（Museo de la Ciudad de Querétaro）為中心進行地質探勘。透過跨學科的實驗、工具技術交流，藝術家們得以思考如何將自然界中的身體感知轉譯為藝術性表達，或以聲音為媒介，回應環境之議題。

This project is a pretext to listen and walk together thinking about the invisible layers of our environment. Interfaces of the invisible seek to find how to approach the incommensurability of environmental processes and their planetary scales, as well as the effects that these manifest in the climate emergency we are experiencing. We know and know of numerous technologies, literature, and even television series trying to explain these phenomena without having much effect on us. It has been called the Anthropocene, Capitalocene, Climate Change, Global Warming, Third Extinction, etc, but there seems to be no clear reaction to such a break. We are then interested in working on that gap, between the scale of the message and the recipients of said message; to which we could not react despite seeing the graphs, reports, and news, or despite experiencing it first hand.

We understand that this gap is caused, on the one hand, by the immeasurable nature of the multiplicity of scales involved and connected, and on the other, by the way in which technologies and data are visualized and communicated. Therefore, this research seeks to understand and recognize this climate emergency through affective relationships supported by contemporary art methodologies and emerging and accessible technologies.